An erect and princely figure carrying a drawn sword and corresponding, broadly speaking, to the traditional description which I have given in the first part. On the shoulders of the victorious hero are supposed to be the Urim and Thummim. He has led captivity captive; he is conquest on all planes—in the mind, in science, in progress, in certain trials of initiation. He has thus replied to the sphinx, and it is on this account that I have accepted the variation of Éliphas Lévi; two sphinxes thus draw his chariot. He is above all things triumph in the mind.
It is to be understood for this reason (a) that the question of the sphinx is concerned with a Mystery of Nature and not of the world of Grace, to which the charioteer could offer no answer; (b) that the planes of his conquest are manifest or external and not within himself; (c) that the liberation which he effects may leave himself in the bondage of the logical understanding; (d) that the tests of initiation through which he has passed in triumph are to be understood physically or rationally; and (e) that if he came to the pillars of that Temple between which the High Priestess is seated, he could not open the scroll called Tora, nor if she questioned him could he answer. He is not hereditary royalty and he is not priesthood.
the plate, in waite's words · the painted card will hang here in time
In divination
Succour, providence; also war, triumph, presumption, vengeance, trouble.
Two sphinxes draw the Chariot, a variation Waite credits directly to Éliphas Lévi, harnessed to an armored figure who has "led captivity captive." He is careful to bound the victory named here: "triumph in the mind," won on planes that are "manifest or external and not within himself." Waite lists several ways this conquest falls short of the deeper work still ahead in the trumps, closing with the plainest: brought to the pillars where the High Priestess sits, "he could not open the scroll called Tora." The card studies mastery of the visible world as deliberately unfinished business.
a young page · the keeper's voice pass on the note is still to come